Lucky Cricket / Xìngyùn bǎn qiú
Tuesday, September 29th, 2020 08:00 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
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The land ages and matures
The crops ripen and ready
The air hints at the winter to come
We celebrate the year
We celebrate the harvest
We prepare for what comes next
We recall the dead
We cut the sheaves
We cook the food we gather
We know it will not last forever
We bring the Gods home
We shower them with love
We hope that they stay with us
The harvest is for celebration
The harvest is for hope
The harvest is for preparing to survive
---
Cinnamon is for luck,
For money, protection, and love.
Ginger is for love,
For drawing in money and luck.
Nutmeg is for money
For love and safe travels.
Cloves draw in prosperity
And keep the illness out
Vanilla is for love and lust
For healing, and for luck
Pumpkins growing like harvest moons
Are love and luck and
To keep you safe as the veils thin.
Sugar sweetens the disposition
It brings peace and love
To a course that ne’r did run smooth
There is magic in a kitchen
That brings joy and comfort
There is power in knowing
Who you are within yourself
Both of these are present
In that flavor most maligned
The humble Pumpkin Spice.
Eight stitches
Eight stitches single crochet
Eight stitches of soft loops
Double crochet four chains
Loops on loops full and soft
Eight double crochet
Four chains and four spaces
In the chain spaces
The open gaps waiting for finger wiggles
Ten half double crochet
Instructions chain like crochet stitches
Nine front post half double crochet
Around the double crochet
Continue around like this
Eight half double stitches times ten
Eight front post half double times nine
First half double pulled tight
Hiding an invisible join
Eight stitches of soft loops
Eight stitches single crochet
Eight stitches
Bloom
Tamati dances
He dances the haka to thank Rangahore
For her gifts to her children, the rocks
Tamati dances
He dances the stories of his ancestors
For the people who come to learn, the children
Tamati dances
He dances destruction and creation
Earth moves when he plants his feet, the roots
Tamati dances
Tamati thinks
He thinks about Tane who made Mankind
And left all his wives to do so, even Rangahore
Tamati thinks
He thinks about promises broken open
Like things split by volcanic heat, even rocks
Tamati thinks
He thinks about other gods and godesses
Known for creating and destroying, even Pele
Tamati thinks
Tamati grows
He grows as a person and as a supervillain
Building connections through tunnels, underground
Tamati grows
He grows as a brother and a tribal member
Expanding his family through marriage, surprisingly
Tamati grows
He grows roses and herbs with his Tuahine
Covering planters of lava rock with green, budding
Tamati grows
And he thanks Pele and Tane now too.
The Star of Leyte
Remembered the Sweet Home Tree
Every winter here
Far from red sunlight
And ancient rivers of song
Nourishment missing
Each spring, renewal
Shook melancholy leaves off
Bringing forth keiki
The children of stems
Short lived and fragile beauties
Each a rare gamble
Hoping they will live
To see a second year’s turn
With Star of Leyte
Each year sends them out
To the gathering of young
Called Minion Night
To drink sweet water
They don’t know is not the same
As home’s river water
They see others like them
Similar in their diverse
Dissimilarity
Strange, yet beautiful
Strong and growing stronger still
Together weave roots
To tie the keiki
To a new, different, Home Tree
And maybe save them
//////////^^^\\\\\\\\\\
If A loves B,
And B loves C,
And C loves D.
If B loves E
And E loves F
And F loves G
If C loves H and I
And I loves J and K
And K loves M, N, O and P
And P and A once had a baby with Q
And R and H go to concerts with S
And T and V love E
And W and X like to go to the movies with D
And N and K go shopping for clothes with G
And every one of them is happy with the pinnate family
That they’ve built on love that branches and bends
Like the arching branches of a banyan tree...
Then Y does it matter to U?
//////////^^^\\\\\\\\\\
A dancer is simply a dancer,
Moving their body aesthetically
For the enjoyment of others;
This logic proved fatal for invaders.
For the people they conquered
Had tribes of skill and now, only now,
A sudden shared hatred of the
Pale-faced evils that enslaved them.
The graceful, vibrant tribes lent music
And flashing skirts, color and sound
Meant to draw the eye, here, there,
Anywhere but the true intent of rebellion.
The fierce, warrior tribes lent strikes
Kicks and punches meant to hurt or kill,
Aú bringing feet over head, catching
Enemy faces unaware of the danger
Partners in a roda move their bodies
Together, as one, responding to the
Music’s beat, and each other’s hearts,
Leaving the ring stronger, and together.
It was easy for the dividing forces,
To assume that once enemy meant
Always enemy, as they did not move
Towards their foes, except to attack.
It was easy for the rebel quilombos
To meet and trade in the secret clearings
Because the path of non resistance
Moves in esquivas towards friendship.
Capoeira is a dance, and capoeiristas
Are dancers, but they are not merely
Anything. They are warrior souls, and
Rebel bodies, moving always towards
A break for freedom.